This collection of images were taken at the Sheikh Zayed Grand Mosque in Abu Dhabi (the capital the United Arab Emirates). Architecturally stunning and large enough to accommodate 40,000 worshippers, the mosque was constructed from 1996 to 2007. There are 82 roof-top domes, more than 1,000 columns, 24 carat gold gilded chandeliers, and contains marble stone, gold, semi-precious stones, crystals and ceramics. and the world’s largest hand knotted carpet. Photo technique: All photos were taken handheld (tripods are not allowed), with the camera braced against a wall or column. Three long exposure photos (-1, 0, +1 exposure) were combined to ghost the other visitors. Photos combined in PhotoMatrix Pro. Fuji X-E1 with XF 18-55mm lens.
Click on an photo to make it larger, and use the arrows to move to the next photo.
In Kathmandu (Nepal) it is always ‘rush hour’; bicycles, bicycle-rickshaws, motorcycles, three-wheeled tuktuks, cars, vans, buses and trucks or all shapes and sizes are constantly honking as they weave between each other, passing on the inside lane, passing on the outside lane, and occasionally sharing the lane with on-coming traffic. Add pedestrians, farm tractors, two-wheeled tractors and wandering cows – and it all gets real interesting. There seem to be no traffic rules, or they are simply ignored. The vans photographed below, had were packed with up to 30 people – far beyond their recommended occupancy limit, and were excessively overloaded
This is a small selection of traffic related photos taken at sunset in Kathmandu, February 20, 2015. Click on the first thumbnail and it will enlarge. Form there you can scroll through the larger images to see the whole collection.
All photos taken with a Fuji X-E1 with XF 14mm, or Fuji X-PRO1 with XF 55-200mm.
After the strong (7.8) earthquake that struck the Kathmandu Valley on April 25, 2015 and the many aftershocks, many of the modern and historic buildings and roads shown in these photos have been extensively damaged or destroyed, and thousands of deaths and injuries.
Three days in Bangkok is definitely not enough. Add in some serious jet-lag after a flight from Toronto (Canada) to Abu Dhabi (UAE), then onward to Bangkok.
Wow – Bangkok is absolutely amazing. We only saw a tiny part of the City, and what we saw is so diverse and sensory stimulating; sight, smell, taste, sounds and touch.
The tiny part of Bangkok that we experienced was the Pranakorn district, and we explored Khao san Road and the cultural sites in the Rattanakosin area including The Grand Palace, The Temple of The Reclining Buddha (Wat Pho), The Royal Ground, The Democracy Monument and the Chatuchak Weekend Market.
The next post will have photos from Wat Pho, ‘Temple of the Reclining Buddha’.
All photos taken with a Fuji X-series X-Pro1 with Fuji 18-35mm, or Fuji X-series X-E1 with Fuji 14mm lens. Some of the photos are in black & white, and some are in color, with notes below.
The Wat Pho or “Temple of the Reclining Buddha” is the largest and oldest wat (temple) complex in Bangkok, and it houses more than 1,000 Buddha images that were moved from abandoned temples in Ayutthaya and Sukhothai by order of King Rama I. Wat Pho, officially named Wat Phra Chetuphon Wimonmangkhalaram is one of the six temples in Thailand that are of the highest grade of the first class Royal temples.
The temple is renowned for the enormous gold plated Reclining Buddha image that was built during the reign of King Rama III (1824 – 51) and represents the passing of the Buddha into final Nirvana after death. The Reclining Buddha, is 46 meters long and 15 meters high and is the largest Buddha image in Thailand. Constructed out of plaster around a brick core, the reclining Buddha is decorated with gold leaf and his eyes and foot soles are inlaid with mother-of-pearl.
The Buddha’s feet are 5 metres long and are divided into 108 arranged panels, each exquisitely decorated in mother-of-pearl illustrations of symbols by which Buddha can be identified like flowers, dancers, white elephants, tigers and altar accessories.
There are 108 bronze bowls in the corridor indicating the 108 auspicious characters of Buddha. Visitors drop coins in to each of these bowls in belief that this will bring good fortune, and to help the monks maintain the wat. The sound of these falling coins is quite distinctive and can be heard throughout the temple.
Now – on to the photos.
Yes, All the photos are in black & white. Why ?
1) The color versions of the photos do not show the stark beauty of the gold plated Reclining Buddha image or the intricate paintings on the walls. You simply have to go there yourself, and don’t simply look at on-line photos. In black and white – you have to use your imagination.
2) The photo are also in black and white because there were so many jack-asses inside the temple, photographing the Buddha using the flash on their cameras. Flash-Flash-Flash…..and more Flash, Flash, Flash…..on and on. This is really disturbing – and for me really the flash really destroys the moment of appreciating the Reclining Buddha. How can appreciate the beauty, when the other tourists beside are taking a bunch of photos, and each time the flash reflects off the golden Buddha and blinds you !.
So – end of my Rant. Other tourists, don’t be a jack-ass, and try to be considerate of others !.
Testing out Leica R 19mm f/2.8 (version 1) and Leica R 35mm f/2.8 lenses on a Nikon D700 and Fuji-X cameras (X-E1 and X-PRO1)
On the Fuji-X cameras, I also compared the Leica R Elmarit (19mm and 35mm) with a regular adapter (a simple tube with the appropriate lens mounts), and with a Metabones Speedbooster. The Metabones Speedbooster is a unique adapter that uses the full image circle of a full frame lens on a cropped sensor (APS-C) as used on the Fuji-X series. I won’t get into the specifics about the Speedbooster since there are tons of website and blogs describing how it works.
Note: There is no Metabones Speedbooster Leica R to Fuji-X adapter. The Leica R lenses were modified with a Leitax (Leica-R to Nikon) adapter. See www.leitax.com/leica-lens-for-nikon-cameras.html for more info on the Leitax adapter. Although Leitax does make Leica-R to Fuji-X, I used the Leitax (Leica R to Nikon G) adapter to allow the Leica R lenses to be used on my Nikon D700.
These images illustrate the different ‘looks’ with different cameras, and the different field of view between the different adapters.
Since the settings on my X-PRO1 and X-E1 differ, I have included sample photos from both. None of the images have been edited, other than default setting in Lightroom.
Compare Leica R 19mm f/2.8 (Manual Focus)
Compare Leica R 35mm f/2.8 (Manual Focus)
Compare Fuji-X 35mm f/1.4 on X-PRO1 and X-E1 (Auto Focus)
Compared to using the Leica R lenses on a Fuji-X camera, the Fuji-X 35mm f/1.4 definitely has the auto focus advantage. Will I keep using manual focus Leica R lenses on the X-PRO1, and X-E1 ?. Even with the zoom function on the ‘M’ setting, it is still a challenge to focus and I certainly don’t recommend using a manual focus lens on a Fuji-X camera if the subject is moving. Using Leica R lenses on the Nikon D700 is much easier thanks to the super large view finder and also has focus confirmation making manual focus relatively easy.
Reviewing the photos taken with the regular adapter and the Metabones Speedbooster, the images appear sharper and have more contrast with the Speedbooster. The Metabones Speedbooster isn’t cheap, then again, neither are Leica R lenses, so you get what you pay for. According to the previous owner, the Speedbooster that I purchased was defective since it did not focus at infinity, and it would have cost too much $ to send the Speedbooster back to have it adjusted. There is a real easy fix to the infinity problem with Metabones Speedboosters.
1) Loosen the small screw on the rear of the adapter. 2) Take note where the lens element is in its rotation. 3) Turn the lens element to move it closer or further from the film plane. 4) Tighten the screw. 5) Check infinity focus. 6) Repeat until happy.
See also the instructions on the Metabones webpage (http://www.metabones.com/article/of/infinity-adjustment-speed-booster-only)
Although not shown here, I’ve also been testing the Metabones Speedbooster with my other Leitax adapted Leica-R lenses, including the 19mm f/2.8 Elmarit Version 1, 35mm f/2.8 Elmarit (version ?), Leica 80-20mm f/4 ROM, 90mm f/2.0 Summicron, and 135mm f/2.8 Elmarit. All work fine, and are easy to focus. The 35mm Elmarit did have a problem with infinity focus that was not related to the screw adjustment in the Speedbooster, instead, a small metal flange in the lens was hitting the glass on the Speedbooster. Having taken the back end off the Leica-R lenses swap out the original Leica-R lens mount and attaching a Leitax Nikon lens mount it was an easy task to once again open up the back of the Leica-35mm lens and wrap up the lens with tape and tissue, then carefully file down the small piece of metal flange. The while process only took a few minutes.
Will I keep the Metabones Speedbooster ?, right now I am undecided.